The Leica M10 refocuses on what really matters to stills photographers. Michael Topham tests the latest model in Leica’s famous M-system to find out if it performs as well as its price suggests

Introduction
One of the many pressures put on camera manufacturers today is the need to overload new models with all the latest technology to make them appeal to a mass-market audience. One camera that did just that was the Leica M (Typ 240). Successor to the iconic Leica M9, it aimed to update Leica’s traditional and much-loved recipe with modern-day features such as live view, clip-on electronic viewfinder, USB interface and full HD video. Some of these features were genuinely useful, but if you asked any purist of what they thought to the direction Leica was taking with their latest digital M-system rangefinders, they’d tell you adding video didn’t feel like the right way to go.
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https://www.amateurphotographer.co.uk/reviews/compactsystemcameras/leica-m10-review








The TX-55EZ952 features plenty of the new tech found in the TX-65EZ1002, including a 4K HDR OLED panel that offers “unprecedented” black levels and super-accurate colours.


One of the Dual MTR-75’s best features is that it’s fully automatic in operation. Press the start button on the turntable and the tonearm lifts, positions and lowers itself onto the record by itself.


The 55W per channel power amp can bi-amplify an existing integrated amp, go standalone with a CD player or DAC thanks to its internal analogue volume control, or even be used in multiples in monobloc mode (where the output is increased to 210W) for stereo or multi-channel systems.