DG
Sigma 14-24mm F2.8 DG DN Art Review
Introduction The Sigma 14-24mm F2.8 DG DN Art is a new ultra-wide-angle zoom lens that’s available for both full-frame Sony E-Mount and L-Mount mirrorless cameras →
Sigma 35mm F1.2 Art DG DN Review (All of the Bokeh, and Weight)
The Sigma 35mm f1.2 Art DG DN is a fantastic lens, but very heavy. I’m not sure from where Sigma got the memo that making →
Hands-on with new Sigma 35mm F1.2, 45mm F2.8 and 14-24mm lenses
Sigma just launched three brand new lenses: the 35mm F1.2 DG DN and 14-24mm F2.8 DG DN ‘Art’ are joined by the compact 45mm F2.8 →
Sigma 35mm F1.2 DG DN Art coming to full-frame Sony and L-mount bodies
Sigma’s new 35mm F1.2 DG DN Art is an ultra-fast semi-wide-angle prime lens for full-frame Sony, Panasonic and Leica mirrorless bodies. The lens, which Sigma →
Sigma announces 14-24mm F2.8 DG DN Art for full-frame mirrorless
Sigma already offers a well-regarded 14-24mm F2.8 for full-frame DSLRs, and is now adding one to its lineup of lenses for full-frame mirrorless cameras: the →
Lightweight Sigma 45mm F2.8 DG DN for L-mount and E-mount announced
Sigma’s new 45mm F2.8 DG DN Contemporary lens is a compact, standard prime lens for full-frame Sony, Leica and Panasonic mirrorless cameras. The lens is →
Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH Lens Review
A lens with the pedigree of Leica behind it, plus a fast maximum f/1.7 aperture as indicated by the Summilux name, is bound to be →
Size Comparison – Panasonic 10-25mm vs Olympus 12-40mm
You can now compare the size of the newly announced Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH lens with other MFT gears. The lens has been added →
Scotland with an unexpected pair: Panasonic Lumix G9 & S1R
My initial plan for our two week holiday in Scotland was to bring the Nikon Z6 and the 24-70mm f/4 lens, a combo that in →
Panasonic announces 10-25mm f/1.7 MFT lens, teleconverters for S Series & a big S1 video upgrade
Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH standard zoom lens for Micro Four Thirds While a lot of the talk recently has been about Panasonic’s →
In the zoom-versus-speed debate, Panasonic’s 10-25mm f/1.7 gives you both
Panasonic is tallying up the “world’s firsts” in a slew of announcements made Friday, May 31. In addition to revealing the first full-frame 6K camera →
Hands-on with Panasonic’s 10-25mm F1.7 Micro Four Thirds lens
The Panasonic Leica DG Vario-Summilux 10-25mm F1.7 ASPH is a fast zoom lens that covers several popular focal lengths. When mounted on a Micro Four →
Panasonic makes the Leica DG Vario-Summilux 10-25mm f/1.7 ASPH. official
Panasonic has finally revealed full details of its Leica DG Vario-Summilux 10-25mm f/1.7 ASPH. lens. The optic, which is said to be the world’s fastest →
Sigma 28mm f/1.4 DG HSM Art Lens Reviews Roundup
Here are the latest reviews of the brand new Sigma 28mm f/1.4 DG HSM Art, another great lens in the Sigma Art series. The Sigma →
Sigma AF 28mm f/1.4 DG HSM Lens Review
It certainly seems that manufacturers are currently pursuing the path of the high quality, fast prime lens. As the MP count of our cameras increases, →
Sigma 40mm f/1.4 DG HSM or Art review
Sigma has spent the last few years redefining what DSLR and mirrorless users should expect from third-party lenses, with many of its Art-series optics in →
Sigma 60-600mm f/4.5-6.3 DG OS HSM Sport Field Test
Out of the five new lenses Sigma announced across its Art, Contemporary and Sports ranges at Photokina 2018, there was one that really caught my →
Sigma 40mm f/1.4 DG HSM Art and 56mm f/1.4 DC DN lenses to be released on November 22nd
Sigma 40mm f/1.4 DG HSM Art and 56mm f/1.4 DC DN lenses to be released on November 22nd. Sigma 40mm F1.4 DG HSM | Art lens →
Sigma 24-70mm f/2.8 DG OS HSM Art review
Does this standard zoom succeed at offering top-level performance for today’s era of high-resolution cameras? Introduction Users of full frame DSLRs and mirrorless cameras have →
Sigma 60-600mm f/4.5-6.3 DG OS HSM Sports Review
Introduction The Sigma 60-600mm f/4.5-6.3 DG OS HSM Sports is a versatile 10x telephoto zoom lens for full-frame DSLR cameras, and APS-C sensor cameras with →
Sigma 60-600mm F4.5-6.3 DG OS HSM Sports Lens Announced
Sigma officially announces the Sigma 60-600mm F4.5-6.3 DG OS HSM Sports lens. The world’s first 10× optical zoom telephoto lens with a tele end of 600mm from Sigma →
Sigma 24-70mm f/2.8 DG OS HSM Review: A viable alternative to first party lenses
Over the last few years, Sigma has been making tremendous leaps in climbing up the reputation ladder. From a time when the name was just →
Sigma 105mm f/1.4 DG HSM review
It has competition from the likes of Nikon’s AF-S 105mm f/1.4E ED, but it is £500/$635 cheaper. Canon users who’d like a premium portrait lens →
Sigma 70mm f/2.8 DG Macro Art Review
Introduction The Sigma 70mm f/2.8 DG Macro Art is the first dedicated 1:1 macro prime lens in Sigma’s Art range of premium lenses. Available for →
Top 29 Best Sony E FE Mount Lenses 2018
As we’ve reviewed the majority of Sony E-Mount and FE mount lenses to date, we thought we’d pop the 29 top scoring lenses into a →
Top 12 Best Panasonic Lenses 2018
We’ve taken a look at the Panasonic lenses that we’ve reviewed to date, crunched some numbers and have combined the results in a round-up that →
Panasonic Leica 15mm f/1.7 vs Olympus M.Zuiko 17mm f/1.8 – The complete comparison
Small and portable fast aperture primes are abundant within the Micro Four Thirds lens range, with two of the most alluring being the Panasonic Leica →
Panasonic Leica DG Elmarit 200mm f/2.8 Power O.I.S Review
A 200mm f/2.8 lens might seems a fairly standard offering, but when we consider this is for MFT format and we apply the 2x crop →
PANASONIC LUMIX G9 vs LUMIX GH5 Comparison Review
Panasonic have today announced the latest addition to their micro four thirds range of mirrorless cameras, introducing the Lumix G9, sitting alongside the Lumix GH5 →
Sigma 14mm f/1.8 DG HSM Art Review
Introduction The Sigma 14mm f/1.8 DG HSM Art lens stole the headlines as the first ultra-wide angle lens for full-frame cameras to break the f/2 barrier. →