35mm
First Impressions: Tamron 35mm F2.8 Di III OSD M1:2 (Sony FE Mount)
The Tamron 35mm f2.8 Di III OSD M1:2 is an affordable and lightweight lens many Sony Full Frame Mirrorless shooters will want to consider Last →
Sigma 35mm 1.2 Art vs Sony 35mm 1.4 ZA vs Samyang AF 35mm 1.4 – The complete comparison
The full-frame E-mount series has grown exponentially in the last couple of years. This is mainly thanks to a massive effort from Sony but also →
Hands-on: Tamron’s new 24mm and 35mm Di III OSD M1:2 are featherweight options for Sony shooters
Tamron just announced a trio of featherweight full-frame lenses for Sony E-mount, each of which weighs less than eight ounces and offers a 1:2 macro →
7Artisans 28mm f1.4 (This Lens Belong on a Film Camera) Review
The 7Artisans 28mm f1.4 is a reminder that cheap lenses are just an impulse buy for photographers. If you look around on Instagram and at →
Canon RF 24-240mm f/4-6.3 IS USM review
Canon’s still-fresh EOS R system may have excited EOS DSLR users looking to switch to mirrorless technology, but the vast majority of lenses released for →
Pentax SMC P-FA 20-35mm f/4.0 AL Review
Pentax have a long established and fine reputation for backwards compatibility, and it is a tribute to the finely designed K mount that even today →
7 Great 70-200mm Zoom Lenses That Are Perfect For Portraits and More
These 70-200mm zoom lenses are incredibly versatile and should be a tool that every photographer has in their camera bag. There are quite a few →
Samyang AF 18mm f/2.8 FE Lens Review
Samyang have a fine reputation for producing reasonably priced, excellent lenses, initially manual focus only, but for some time now with a rapidly expanding AF →
Sigma 35mm F1.2 Art DG DN Review (All of the Bokeh, and Weight)
The Sigma 35mm f1.2 Art DG DN is a fantastic lens, but very heavy. I’m not sure from where Sigma got the memo that making →
Tamron SP 35mm f/1.4 Di USD (F045) Review
It would seem that Tamron have been on a bit of a roll, with some very desirable new lenses; the recent 17-28mm and 35-150mm both →
Canon EOS M6 II vs RP – The 10 main differences
Two of the most recent mirrorless cameras from Canon are the EOS M6 II, the flagship in the EOS M range of cameras with an →
First Impressions: Sony E 70-350mm F4.5-6.3 G OSS (Sony E, APS-C)
A weather-sealed super-telephoto lens designed specifically for Sony’s APS-C mirrorless cameras. Earlier this week, Sony announced their 70-350mm f4.5-6.3 G OSS lens, alongside the A6100 →
The Sony 16-35mm F2.8 GM vs the Tamron 17-28mm F2.8
f you have been eyeballing either of these wide lenses but can’t choose, you need to see this. Just a few short years ago you →
First Impressions: Panasonic Lumix S Pro 24-70mm F2.8 (Super Sharp!)
The Panasonic Lumix S Pro 24-70mm f2.8 is arguably the best zoom we’ve used for the system so far. The results of Panasonic Lumix S →
Panasonic Lumix S1H Announced with 6K Video and Dual Native ISO
Panasonic launches new LUMIX S1H with Cinema-Quality Video and World’s First 6K/24p (3:2) Recording Capability. The S1H features a 24.2-megapixel 35mm full-frame CMOS sensor (35.6 →
FACTS: Why Leica M is the Best System for a Film Photographer
Film photographers: besides a few point and shoots, you’re best off using a Leica camera for many reasons. If you’re a Leica film photographer already, →
Nikon Z 35mm f1.8 S Review
Introduction Nikon has spent the last year steadily filling out its Z-mount lens range, and a handful of further optics should expand the line to →
Venus Optics announces Laowa 4mm F2.8 lens with 210º FOV for MFT camera systems
Venus Optics has announced the pricing and availability of its Laowa 4mm F2.8 Circular Fisheye lens for Micro Four Thirds (MFT) camera systems. When placed on →
Opinion: 35mm Is the Most Versatile Focal Length in Photography
The 35mm lens beats your 50mm and your 28mm lens at everything with its absolute balance on subject matter. While I personally see the world →
Canon RF 15-35mm f/2.8L IS USM & RF 24-70mm f/2.8L IS USM Lenses to be Announced Soon
Two of the Canon’s “holy trinity” RF mount lenses will be released before the end of August, 2019. These glasses would be the RF 15-35mm f/2.8L →
Fujifilm GFX 100 Review
Introduction The Fujifilm GFX 100 is a mirrorless camera with a 102 megapixel, 43.8mm x 32.9mm medium-format back illuminated CMOS sensor with phase detection pixels. →
The Summer of Sigma Savings Event Can Save You up to $500
If you’ve had your eye on any of the Sigma lenses listed here, you need to act now so that you can save huge amounts →
Canon RF 35mm f/1.2L USM Lens to be Announced in 2020
Canon is rumored to announce next f/1.2 prime in 2020 and it would be the Canon RF 35mm f/1.2L USM Lens. The company is planning to →
2020 Audi A4 allroad quattro 45 TFSI Review: Quick Spin – International
The updated Audi A4 allroad continues its trip through the intersection of function and fashion What’s it all about? The allroad is to the Audi →
Film Carrier MK1: A New Contraption for Camera Scanning 35mm Film
With digital cameras among today’s most popular methods of digitizing 35mm film, the Film Carrier MK1 is a tool to help make it easier. Camera →
Sigma 40mm F1.4 Art lens review
When I first heard of Sigma’s 40mm F1.4 Art lens, I was a little confused. Sigma already had both 35mm and 50mm prime lenses in →
The Fujinon GF 50mm f/3.5 R is Fujifilm’s most compact pancake lens yet
Measuring in at just 84 x 48mm and weighing only 335g, the new Fujinon 50mm f/3.5mm R is now Fujifilm’s most compact and lightweight pancake →
Fujifilm GFX GF50mm F3.5 R LM WR Hands-on Review : First Impressions
The Fujifilm GF50mm F3.5 R LM WR could be the perfect street, walk-about, and environmental portrait lens for the GFX series. Fujifilm recently announced a →
Fujifilm announces compact and lightweight XF 16-80mm f/4 and GF 50mm f/3.5 lenses
Fujifilm has announced a pair of new lenses, one for each of the company’s interchangeable lens mirrorless camera systems. One lens is the X Series →
Sony A7R IV official: 61MP full-frame beast with a monster price
Sony has revealed its latest full-frame camera, the Sony A7R IV, packing a hefty 61-megapixel sensor and a whopping 15 stops of dynamic range. The →