Designed for the APS-C format, this Sony E fit lens seems to cater for many different aspects of both still and movie photography. It is bulky, complex in construction and offers many different ways it can be set up. Let’s see who it might be aimed at, how well it caters for the various styles implied and how well it actually performs.
Handling and Features
This huge lens weighs in at a fairly hefty 1105g, but combined with the Sony A6500 body used for this review it is surprisingly well balanced and does not feel particularly cumbersome. 18-110mm equates with a 35mm-format equivalent of 27-165mm, in other words from a decent wide angle to a useful telephoto. The aperture is a constant f/4, and for a lens which implies video use by many of its design features, perhaps it is surprising that it is calibrated in f/stops as opposed to T/stops. The lens is billed by Sony as being designed for high quality 4K movie making and having Super Smooth Optics.
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