Panasonic Lumix ZS60 Digital Camera Review

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There is no such thing as the perfect camera. Everyone wants a camera that’s compact, has tons of zoom, takes great video, and doesn’t cost a lot of money. Usually, you can pick three out of those four. With the new Panasonic Lumix DMC-ZS60 (MSRP $449.99) you very nearly get all four.

The ZS60 is the latest in a long, successful line of “travel zoom” point-and-shoots, compact cameras with long optical zooms. But while the original cameras in this class boasted zooms of about 10x, the ZS60 extends that all the way out to 30x. That’s about par for the category these days, but the ZS60 also backs that up with some new features like 4K video capture.

Replacing the Panasonic Lumix ZS50, the new model bumps the sensor resolution up to 18 megapixels. That hurts it a bit in low light, but not to any serious degree. The end result? One of the most full-featured cameras you can buy for under $500.

Design & Handling – Meet the ZS60

Panasonic essentially invented the travel zoom category, and it’s mostly been content to stick to minor updates ever since. The ZS60 continues that hand-me-down trend by borrowing quite a lot from it’s older brother, the ZS50. Both have similar proportions, a control ring around a 30x zoom lens, and a virtually-identical control scheme. Really, one of the only visible differences is the cross-hatch pattern on the ZS60’s grip.

On the inside, the ZS60 brings a 18.1-megapixel sensor to the table, backed by a beefier processor that allows for 4K video capture. Panasonic doubles down on that by introducing many of its excellent 4K Photo features from its top-notch cameras like the GX8, GH4, and G6. These features use the camera’s ability to capture 4K video (approximately 8 megapixels per frame) at 30 frames per second as a kind of ultra-fast burst mode.


An electronic viewfinder is a nice hat tip to old-school shooters, but you can use the fixed LCD instead if you want.

While that’s cool and all, it’s clear that the real attention-grabber here is the 30x f/3.3-6.4 zoom lens. It’s an impressive bit of glass for a pocketable camera, though it’s dwarfed by the 60x zoom lenses you’ll find in cameras like the Canon SX60 HS or the Nikon P610. The obvious difference is the ZS60 is about 1/3rd the size of those cameras and will easily slip into a jacket pocket when you’re not shooting with it.

Shooting with the ZS60 is mostly the same as it is with any point-and-shoot. You’ve got a 3-inch touchscreen LCD for basic framing and menu navigation. Additionally, there’s also the (surprisingly good) 1,166k-dot equivalent electronic viewfinder in the corner. It’s a lot of equipment in a small camera so things are a bit cramped, but it’s an invaluable tool on bright days when the rear screen is washed out.

Top controls

A mode dial flanks traditional point and shoot controls on the top.

In general, we really liked shooting with the ZS60. There’s not much that’s revolutionary here, but the entire combination comes together well to form a camera that is small, compact, but gives you enough latitude to shoot plenty of subjects. It’s not perfect—the autofocus is quick but slower than most higher-end cameras, the lens has some issues we’ll discuss in a moment, and the grip is just a strip of rubber—but for less than $500 there’s a lot to like here.

Features – Panasonic breathes new life into an old idea

Travel zoom cameras are popular for many reasons, but their main draw is that they are an attempt to check off as many items on a casual shooter’s wish list as possible. Long zoom? Huge list of features? Can fit in a pocket? Sounds great, right? But there are lots of compromises made in the design process—some minor, some more worthy of attention.

Back controls

They’re simple to use, but the rear controls of the ZS60 are quite fleshed-out.

Unlike most other point and shoots, the ZS60 has quite the array of advanced features that even novices will appreciate. For example, the autofocus modes allow you to use a traditional 49-point autofocus, manual focus, or even tracking AF—which will take the object you select and remain locked on it wherever it is in-frame. This is a big help with moving objects (kids, wildlife, sports), which are notoriously difficult to capture well. It breaks down a bit at full zoom, though, so you’ll have more success with slower-moving subjects.

A mode dial on the top of the camera gives you access to all the different shooting modes, with dual control wheels for tweaking settings if that’s your thing. With the ability to shoot in RAW and JPEG, even photo junkies will be satisfied with the flexibility the camera offers. There are plenty of scene modes and filters for intrepid shooters to explore, and Panasonic’s bevy of 4K photo—and video—features also make their appearance on the ZS60.

ZS60 Sample - CDs

The ZS60 isn’t the best camera around, but you can capture some nice photos with it if you pick your spots. 

These are some seriously cool features. For example, the ZS60’s software allows you to use the immense shooting resolution that 4K offers to make a well-edited HD video with panning, zooming, and cropping—all in-camera. You can also use the 4K post-focus feature to take a short burst of snaps, and then adjust where the photo is focused after the fact, similar to what you could do with the Lytro light-field camera. This is really fun especially if you like to take a lot of close-up photos, but don’t always get the focus right, or just like to tinker with your shots.

For social media lovers, the ZS60 comes equipped with onboard WiFi so you can port your photos from camera to smartphone. Using the Panasonic Image App, you can even use your smartphone as a remote live-view monitor. This is great not only for group shots, but also for tough to reach angles or long exposures.

But that’s the main anchor dragging the camera down. As you can see from the score, it doesn’t really drag it down that far, and the rest of the performance points are great. Color accuracy is spot-on, camera noise isn’t really an issue you have to worry about, and the ZS60’s automatic white balance function is tops among point and shoots. It struggles a little bit with incandescent lighting, but so do all cameras.

Action shooters will appreciate the ample burst speeds and buffer. For example, you can crank out 10 frames per second shooting RAW+JPEG, but if you don’t need to shoot in RAW, you can rip off JPEGs at the highest quality at a rate of a hair over 40 frames per second. That’s crazy-good, if a little worrying for your SD card. Better make sure to grab one of the newer, UHS-1 (or 3) SD cards that can handle that much data at once. SD memory is pretty cheap, so it’s a good time to stock up anyway.

Video is hit or miss, but not for the expected reasons. For example, you can shoot 4K video with this camera so it’s nice and sharp, but it has a lot of artifacting and aberration issues. The result is much better than what you’ll get with a point-and-shoot that only shoots 1080p video, but there’s definitely a clear difference between what the ZS60 will get you compared to a similarly priced mirrorless camera like the Panasonic GF7.




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