Full-frame mirrorless cameras? Pah, they’re old hat these days. The new battleground for high-end pro cameras is mirrorless medium format – and Hasselblad has struck back against Fujifilm’s impressive GFX series with the new X1D II 50C.
Medium format camera sensors are significantly bigger than their full-frame equivalents, which means greater light-gathering powers for landscape or studio duty – but also, traditionally, camera bodies that have been too big, bulky and expensive to get anywhere near the mainstream.
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