Serious filmmakers go to great lengths to get steady footage, even on low-budget indie productions, donning bulky shoulder mounts, setting up a complicated rigs, or attaching a gimbal.The latter is the most compact and popular option, but users will be all too familiar with how gimbals can be extra fiddly to initialize, and prone to unwanted shakes on set. And with the best mirrorless cameras offering increasingly effective in-body image stabilization, is there still a place for the humble
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