Nikon’s 1-series cameras have been around for a few years now, but only recently has Nikon created meaningful differentiation between the various models in the lineup. What started as a ho-hum group of similar cameras now includes standouts like the waterproof 1 AW1, and the high-end 1 V3.
And if you want something a little more budget-friendly? Look no further than the Nikon 1 J5 (MSRP $499.95). Despite its entry-level trappings, the J5 packs much of the same firepower as the V3, with creature comforts like a grip elevating this year’s entry far above its J-series predecessors.
But is it the right camera for you? Despite many awesome features, a small sensor still comes with serious tradeoffs. And even though $500 seems like a steal, there is fierce competition at this part of the market. Still, the J5 is proof positive that even tiny cameras can pack a punch.
Design & Handling
Classic look, modern feel
In a nutshell, the J5 is a camera that’s the size of a point and shoot—but takes better photos. It’s a kind of holy grail for those unwilling to take the plunge into the deep, dangerous waters of interchangeable lens cameras. You can upgrade your lenses if you want to in the future, but the camera works well right out of the box; no fuss needed.
Without a doubt, the biggest upgrade we’e seen from the J4 to J5 is the outside: the silver and black model in particular looks like it would fit right in among older film cameras. Clad in a contoured fake leather grip, the J5 offers a bit more to hold onto than its predecessor—addressing our biggest complaint with the smooth and featureless J4. Additionally, there are a few extra manual controls, and a physical mode dial on the top of the camera.
Alongside the shooting mode knob are the usual suspects: a substantial control wheel, tactile shutter release, record button, and power lever. Having the ability to get a more granular level of control is a boon for anyone looking to improve their skills with photography, even with a non-threatening camera.
1-series lenses are extremely tiny.
One of the best things a consumer camera can have is an articulating screen, and the J5’s 3-inch 1,037k dot LCD is a rockstar. Not only can it flip all the way forward for the ever-popular selfie, but it can also tilt up or down, allowing you to shoot over crowds.
The display also has a capacitive touchscreen, letting you tap to focus/tap to shoot when the time is right. You can focus manually, too, but it’s a great feature to have.
Weighing in at about 12 ounces, the J5 is a little more hefty than most point and shoots, but it’s farlighter than even the smallest DSLRs. Due to its awkward shape, you won’t be sliding it in a pocket and forgetting about it—but you’re not going to get tired or sore lugging it around all day. I’d suggest getting a good strap if you’re about to go on vacation, because the included nylon weave tends to chafe necks in the warm sun.
I would be remiss if I didn’t point out that the strap is absolutely essential for longer trips. While I was out shooting in the middle of a heat wave, I was constantly reminded of the fact that the material on the camera isn’t actually leather—it’s plastic. After a short time, the sweat buildup makes the camera a little slippery, and you’re going to want to keep your hands off the body as much as possible.
Dressed to the nines
Despite this camera’s small body, it packs a bunch of premium features that make for a very rewarding shooting experience. If you can get everything working, anyway.
Running the whole show is a 1-inch 20.8-megapixel CX-format sensor backed up by Nikon’s Expeed 5A processor. It’s a potent combo, giving you a great deal more capability than your garden-variety point-and-shoot. That’s really what separates 1-series cameras from the point and shoots you’re used to. Though all the creative modes and special features found on your average point and shoot can be found on the J5, the level of quality is something you won’t find on many of the budget shooters out there. It provides a solid step-up for someone looking for just a bit more.
Social shutterbugs might initially get stoked about the J5’s onboard WiFi and NFC pairing—but it’s unreliable, it’s finicky, and some large phones like the Nexus 6 are too big to pair with the camera via NFC. Once paired, Nikon’s app is a little on the janky side—a theme we’ve seen repeatedly—but you’ll be able to port over pictures or shoot remotely with relative ease. Just be patient.
An NFC target is a great idea in principle, but it’s tough to use when there’s a lens attached to the J5.
If you’re shooting fast-moving action, you can also take advantage of the J5’s insane burst rate of up to 60fps when shooting stills at full resolution. That’s crazy fast—and it’s extremely easy to fill up an SD card this way. But considering you’re not paying for film, it’s the best way to capture the exact right moment when your subject just won’t sit still. You’ll need a robust microSD card to keep up with the camera, but a UHS-3 card should do the trick.
The J5’s included kit lens is a 10-30mm f/3.5-5.6 affair that’s found on many of the other 1-series cameras. But you’re not married to that lens—you can pick up any number of the ever-expanding selection of 1-series lenses on the market.
All that’s fine and well for casual shooters, but why would you get a 1-series camera like the J5 if you’re a pro? Simply put, it has a really awesome party trick. Using Nikon’s FT-1 mount adapter, you can use any Nikon lens with a 2.7x crop factor. And, if it’s an AF-S lens, it’ll autofocus too. That Nikon AF-S 85mm f/1.8 lens? Now it’s a 229.5mm telephoto. Neat, right? It’s an investment to be sure, but being able to use your existing lens library in a whole new way is a solid check in the plus column.
Before you buy the Nikon 1 J5, take a look at these other interchangeable lens cameras.
Shooting for speed
If you’re stepping up from a point and shoot, the quality of shots you can get with the J5 is markedly better—assuming you’re not coming from a Leica Q, that is. For starters, a 1-inch sensor will afford you many advantages in low-light situations, and the ability to swap lenses shouldn’t be overlooked, either.
With the kit lens, you can expect your shots to be decently sharp—especially with that the 20-megapixel sensor. You may find that you want to scale down your photos a bit before sharing them to Facebook, but they’ll look far better than your friends’ smartphone snaps.
There’s a bit of software oversharpening, but with most lenses you’re unlikely to notice coma, haloing, or artifacting like you might on pictures taken by an entry-level point and shoot.
Color performance—like most modern cameras—isn’t bad. Unless you tell it to, the J5 doesn’t wildly oversaturate your shots, but you might notice that blues and reds in particular are pushed way too far with the default settings. If clinical accuracy is your thing, you may want to consider shooting in RAW instead of JPG. However, it only offers 12-bit RAW files. If you don’t know what I’m talking about, you’re not the type of person that would need to worry about it.
RAW shooters are going to want to nail their exposure, because the J5 doesn’t have a ton of dynamic range to begin with. The little shooter only has about 6.56 stops of high-quality dynamic range at base ISO, and that number drops to 0 after ISO 3200. This is perfectly average, but you’ll notice a steep loss of contrast if you nudge the exposure slider a tad too much.
Despite having a 4K setting buried in the menu, I’d advise you to leave that well enough alone. The 60fps HD (1080p) video you shoot will look much smoother and lifelike than the 15fps 4K video the J5 offers, and there’s very little value to choppy and stuttering low-framerate video.
If there is a notable weak spot for the J5, it’s noise. No matter what you do, you’re going to find that your low-light shots will have a noticeable amount of noise from ISO 800 and up—crossing the 2% threshold somewhere between ISO 800 and 1600. That’s pretty bad, but it’s not exactly unexpected for such a small sensor. If you scale down your photos from their massive 20-megapixel original size, they’ll look perfectly fine, but at full resolution you’ll definitely notice something’s up if you shoot in a high ISO.
You just have to keep in mind that this isn’t a shooter that’ll keep up with a more “serious” camera. It’s meant to be more point and shoot than it is high-end mirrorless: by that metric the J5 is a solid option.
King of the… hmmm…
Nikon finally unlocked the 1-series’ potential last year with the excellent 1 V3, but it was insanely pricy at a hair under $1,200. The J5 carries most of the V3’s features, but at a much more sane price point under $500.
There are better cameras on the market if low light performance is your chief concern.
Though it’s not perfect, there’s plenty to love about this thing. It’s compact, handles better than its predecessors, and the 60fps burst speed is unmatched outside of this system. Better still? With the Nikon FT-1 adapter you can put on any F-mount lens, with all lenses getting a 2.7x bump in reach and many offering full autofocus.
However, if those use cases don’t apply to you then it’s very likely that there are better ways to spend your money. Slightly larger cameras like the Samsung NX3000 and the Sony A5000 hand the J5 its lunch in low light, while the Panasonic GM1 is the same price as the J5, about the same size, and outperforms it in all areas except action photography.
If you’re getting the J5, you’re getting it not because it’s the best, but because it has the hot, nasty burst speed you need in a camera that’ll fit in your pocket. That’s an area where the Nikon 1 cameras have always delivered, even if they were let down by iffy performance, awful handling, or simply cost too much money.
The J5 remedies nearly all of these issues, resulting in one the best mix of performance, price, and portability we’ve seen from a Nikon 1 camera to date.