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Panasonic G9 Image Quality Comparison

Panasonic G9 Image Quality Comparison

Posted on October 21, 2018October 22, 2018 By Jarvis

Below are crops from our laboratory Still Life target comparing the Panasonic G9’s image quality at a few ISOs to its predecessor’s, the G85, and against its more video-centric sibling, the GH5, as well as to several competing models at similar price points or in similar categories: the Fuji X-T3, Olympus E-M1 II and Sony A6500.

NOTE: These images are from best quality JPEGs straight out of the camera, at default settings including noise reduction and using the camera’s actual base ISO (not extended ISO settings). All cameras in this comparison were shot with our very sharp reference lenses. Clicking any crop will take you to a carrier page where you can click once again to access the full resolution image as delivered straight from the camera.
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Read full post here:
https://www.imaging-resource.com/PRODS/panasonic-g9/panasonic-g9-image-quality.htm

Cameras Tags:camera, comparison, GH5, Olympus, Panasonic, Sharp, Sony, video

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ProEXR File Description =Attributes= cameraAperture (float): 36 cameraFNumber (float): 8 cameraFarClip (float): 1e+30 cameraFarRange (float): 1e+18 cameraFocalLength (float): 40 cameraFov (float): 14.6528 cameraNearClip (float): 0 cameraNearRange (float): 0 cameraProjection (int): 0 cameraTargetDistance (float): 2.21183 cameraTransform (m44f): [{0.888939, -0.450476, -0.0828106, -0.43253}, {1.41103e-17, 0.180799, -0.98352, 0.207263}, {0.458025, 0.87429, 0.16072, 0.778948}, {0, 0, 0, 1}] channels (chlist) compression (compression): Zip dataWindow (box2i): [0, 0, 5999, 3599] displayWindow (box2i): [0, 0, 5999, 3599] lineOrder (lineOrder): Increasing Y name (string): "" pixelAspectRatio (float): 1 screenWindowCenter (v2f): [0, 0] screenWindowWidth (float): 1 type (string): "scanlineimage" vrayInfo/vrayrevision (string): "28079 Feb 27 2018 01:54:59" =Channels= A (half) Ambient Occlusion Output.B (half) Ambient Occlusion Output.G (half) Ambient Occlusion Output.R (half) B (half) Black Anodised Alpha.B (half) Black Anodised Alpha.G (half) Black Anodised Alpha.R (half) Black Anodised Glossier Alpha.B (half) Black Anodised Glossier Alpha.G (half) Black Anodised Glossier Alpha.R (half) Black Metal Grain Alpha.B (half) Black Metal Grain Alpha.G (half) Black Metal Grain Alpha.R (half) Black Metal Lens Body Alpha.B (half) Black Metal Lens Body Alpha.G (half) Black Metal Lens Body Alpha.R (half) Black Plastic Alpha (2).B (half) Black Plastic Alpha (2).G (half) Black Plastic Alpha (2).R (half) Black Plastic Gloss Alpha.B (half) Black Plastic Gloss Alpha.G (half) Black Plastic Gloss Alpha.R (half) Button Black Satin Alpha.B (half) Button Black Satin Alpha.G (half) Button Black Satin Alpha.R (half) Diffuse Shading (Total) Output.B (half) Diffuse Shading (Total) Output.G (half) Diffuse Shading (Total) Output.R (half) G (half) GP (2).B (half) GP (2).G (half) GP (2).R (half) R (half) RGB color denoised.B (half) RGB color denoised.G (half) RGB color denoised.R (half) Reflection Shadin Blackmagic BMPCC 4K review: A pint-sized video powerhouse Cameras

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