The original Tokina Cinema 50-135mm has become one of my favorite lenses. I shoot people delivering promo lines to camera a lot and having a portrait telephoto oriented focal length is a big plus. On the stills lens side, the Canon 24-105mm gets a lot of use. It’s a full frame lens so with approximately a 1.5x crop factor for S35 brings the lens to around 36-157mm and it’s F4 but that doesn’t matter too much if super shallow DOP isn’t needed. The 24-105 has its own issues namely it losses about a half stop when zoomed in at all f-stops other than f4. Not really a constant aperture.
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https://www.newsshooter.com/2019/05/23/tokina-cinema-zoom-50-135mm-mkii-review/
