F2.8

Venus Optics announces Laowa 4mm F2.8 lens with 210º FOV for MFT camera systems

Venus Optics has announced the pricing and availability of its Laowa 4mm F2.8 Circular Fisheye lens for Micro Four Thirds (MFT) camera systems. When placed on

Fujifilm GFX GF50mm F3.5 R LM WR Hands-on Review : First Impressions

The Fujifilm GF50mm F3.5 R LM WR could be the perfect street, walk-about, and environmental portrait lens for the GFX series. Fujifilm recently announced a

DXOMark: How The Nikon Z 24-70mm f2.8 S Fares Against The Rest

The Nikon Z 24-70mm F2.8 S scored well in DXOMark’s tests. Nikon are slowly building up the lens collection for their Z series of cameras,

Hands-on with new Sigma 35mm F1.2, 45mm F2.8 and 14-24mm lenses

Sigma just launched three brand new lenses: the 35mm F1.2 DG DN and 14-24mm F2.8 DG DN ‘Art’ are joined by the compact 45mm F2.8

Sigma announces 14-24mm F2.8 DG DN Art for full-frame mirrorless

Sigma already offers a well-regarded 14-24mm F2.8 for full-frame DSLRs, and is now adding one to its lineup of lenses for full-frame mirrorless cameras: the

Lightweight Sigma 45mm F2.8 DG DN for L-mount and E-mount announced

Sigma’s new 45mm F2.8 DG DN Contemporary lens is a compact, standard prime lens for full-frame Sony, Leica and Panasonic mirrorless cameras. The lens is

Leica announces the V-Lux 5, a rebranded and (slightly) redesigned Lumix FZ1000 II

Leica has released the V-Lux 5, a rebranded Panasonic Lumix DC-FZ1000 II that’s a successor to its V-Lux Typ 114, which itself was a rebranded Lumix FZ1000. Aside from a

Sony releases long-awaited FE 35mm F1.8 lens

Sony users have been asking for something to fill the gap between the premium Zeiss Distagon FE 35mm F1.4 ZA and the venerable Zeiss 35mm

Sony 35mm f1.8 FE Review: This is My Next Lens

The new Sony 35mm f1.8 FE lens is real, and it’s the most perfect lens from Sony that I could have asked for. All I

IRIX 150mm F2.8 Dragonfly Macro Lens Review : The Bokeh King

I wasn’t sure what to expect with the IRIX 150mm f2.8 Dragonfly Macro Lens, but it’s solid all around.  When IRIX announced that their Dragonfly

The Inside of The Sony 70-200mm F2.8 OSS GM Is a Pure Work of Art

The level of work that goes into making a Sony 70-200mm F2.8 OSS GM is ridiculous. If you have ever wondered why some of the

Hands-on with new Sony FE 600mm F4 GM OSS and FE 200-600mm F5.6-6.3 G OSS

Hands-on with new Sony telephoto lenses Sony has just released two new lenses, aimed at sports and wildlife photographers. The FE 200-600mm F5.6-6.3 G OSS

Tamron SP 15-30mm f2.8 Di VC USD G2 (Canon EF Mount) Review

The Tamron SP 15-30mm f2.8 Di VC USD G2 incorporates a number of enhancements to the company’s already excellent flagship ultra-wide angle zoom lens When

Tokina Opera 16-28mm F2.8 FF Review

Introduction The Tokina Opera 16-28mm F2.8 FF is a new ultra-wide-angle zoom lens for full-frame Canon and Nikon DSLR cameras with a constant maximum aperture

Ricoh GR III shooting experience: “Shut up and take my money”

‘The best camera is the one you you have with you’. I think Ghandi said that. It’s not true, of course – the best camera

Nikon Nikkor Z 24-70mm f/2.8 S lens Reviews Roundup

First reviews of the Nikon NIKKOR Z 24-70mm f/2.8 S full-frame mirrorless lens now available online. This is the first NIKKOR lens to feature Nikon’s

CP+ 2019: Ricoh shows PENTAX-DA* 11-18mm F2.8 ED DC AW

Alongside the GR III, Ricoh is using the CP+ show in Yokohama Japan to give its customers a first look at a new high-performance wideangle

CP+ 2019: Hands-on with Tokina Opera 16-28mm F2.8 FF

The second lens in Tokina’s new ‘Opera’ range is the 16-28mm F2.8 FF for full-frame Nikon and Canon DSLRs. We saw a mockup of this

Development Announcement : Tamron 35-150mm f/2.8-4, SP 35mm f/1.4 and 17-28mm f/2.8 Lenses

Tamron has announced the development of three new full-frame lensestwo for Canon & Nikon full-frame DSLRs and one for Sony E-mount full-frame cameras. The new

EXCLUSIVE: Hands-on with upcoming Fujifilm XF and GF lenses

We’re in Dubai, where Fujifilm is showing off pre-production and prototype samples of three upcoming lenses – the GF 50mm F3.5 – a compact, lightweight

Ricoh Announces Pentax 11-18mm f/2.8 and 35mm f/2 Lenses

Ricoh has just announced the new HD PENTAX-DA 11-18mm f/2.8 ED DC AW Lens and HD PENTAX-FA 35mm f/2 Lens for Pentax K-mount. The full-frame

Fujifilm XF 8-16mm F2.8 R LM WR Review

Introduction The Fujifilm XF 8-16mm F2.8 R LM WR is the widest-angle lens in Fujifilm’s extensive XF range, which is suited to APS-C cameras like

SIGMA Released 17-70mm F2.8-4 DC MACRO OS HSM Firmware Update for Canon

Sigma announced that a new firmware update for the SIGMA 17-70mm F2.8-4 DC MACRO OS HSM | Contemporary for Canon and SIGMA 18-200mm F3.5-6.3 DC

Fujifilm XF10 vs X100F – The 10 Main Differences

Fujifilm has produced a good number of fixed lens compact cameras over the years. The most popular is the X100 series which was the only

Sony FE 400mm f/2.8 GM OSS Lens Hands-On Preview

We take Sony’s long-awaited 400mm f/2.8 supertele lens to an MLS game! Alongside the A7R III launch back in October 2017, Sony gave out another

Leica Super Vario Elmar SL 16-35mm f/3.5-4.5 ASPH lens officially announced

The Leica Super Vario Elmar SL 16-35mm f/3.5-4.5 ASPH is a new wide-angle zoom lens for the Leica SL camera. With the Vario-Elmarit–SL 24-90mm F2.8-4 ASPH and the APO-Vario-Elmarit-SL 90-280mm

Samyang 14mm F2.4 vs Sigma 14mm F1.8 : Astrophotography lens shootout

If you’re thinking of picking up a great ultra-wide astrophotography lens, chances are good you’ve looked at the three 14mm primes featured in this video.

New Fujifilm X and GF lenses Hands-on Review

We’re at the Photo Plus Expo show in New York, where Fujifilm is showing off its new XF 80mm F2.8 R LM OIS WR and

Meyer-Optik-Goerlitz Trioplan 50mm f/2.9 Review

Introduction The Meyer-Optik-Goerlitz Trioplan 50mm f/2.9 is a modern standard prime version of the classic Trioplan f2.8/100 lens, known for its ‘soap bubble’ bokeh and

Hands-on review: Sony’s new 16-35mm and 12-24mm wide-angle lenses

Hands on with new Sony wide-angle lenses For the time being, Sony’s extraordinary forward momentum seems as though it is here to stay. We have not